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Sociology Dept.
H. Gray, Chair
C. West, Grad Director
B. Crow, UG Educ Cmte Chr
College 8, 226
Santa Cruz, CA 95064
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Herman S. Gray Home  Directory Herman S. Gray
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Herman S. Gray
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Title: |
Professor and Chair |
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Type: |
Faculty Member |
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Email: |
herman@ucsc.edu |
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Phone: |
(831) 459-3715 Office
(831) 459-3516 Message |
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Office: |
College 8, 327 |
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Office Hours: |
Fall 2009: Wed 10-11am and 3:30-5:30pm; and Mon by appt |
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| Courses Taught | |
SOCY-116 - Communication and Mass Media
SOCY-260 - Culture, Knowledge, Power
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| Research Focus | |
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Cultural studies; popular culture; mass communication; minority discourse. |
| Education History | |
B.A., Florida A&M University
M.A., Washington State University
Ph.D., University of California, Santa Cruz |
| Selected Publications | |
Gray, H. 2001. "Cultural Politics as Outrage(ous)" Renaissance Noire. Vol. 3, #1:Pp. 92-101.
_____. 2001. "The New Conditions of Black Cultural Production, Or Prefiguring of a Black Cultural Formation." In L.C. Bower, D. T. Goldberg, and M.Musheno , eds. Between Law and Culture: Relocating Legal Studies. University of Minnesota Press, pp. 224-271.
_____. 2001."Black Representation in the Post Network, Post Civil Rights World of Global Media." In Simon Cottle (ed.) Race, Racism and the Mass Media. The Open University Press.
_____. 2001. "Desiring the Network and Network Desire" Critical Studies in Mass Media. Vol. 18, #1:Pp. 103-108.
_____. 1999. "Troubling Empiricism" Rethinking Race, Troubling Empiricism, Critica Monograph Series (Spring): Pp. 1-7.
_____. 1999. "A Different Dream of Difference" Critical Studies in Mass Communication (December): Pp. 484-488.
_____. 1997. "Anxiety, Desire, and Conflict in the American Racial Imagination." In J. Lull and S. Hinerman, eds. Media Scandals: Morality and Desire in the Popular Culture Marketplace. Polity Press.
_____. 1997. "Television" In W. Andrews, F.S. Foster, T. Harris, eds. The Oxford Companion to African American Literature. Oxford University Press.
_____. 1997. "Jazz Tradition, Institutional Formation, and Cultural Practice: The Canon and the Street as Frameworks for Oppositional Black Cultural Politics." In E. Long ,ed. Engaging Cultural Studies: From Sociolgy to Cultural Studies. Blackwell.
_____. 1996. "Conversations: Racial Formation in Contemporary American National Identity" Social Identities: Journal for the Study of Race, Nation, and Culture. Vol. 2, #2: Pp. 186-190.
_____. 1995. "Watching Race: Television and the Sign of Blackness." Minnesota.
_____. 1993. "African American Political Desire and the Seductions of Contemporary Cultural Politics." Cultural Studies.
_____. 1993. "Cultural Theory, Social Constructionism, and Social Problems." In J. Holstein and G. Miller, eds., New Directions for Social Constructionism. Hawthorne, N.Y.: Aldine de Gruyter.
_____. 1991. "Recodings: Possibilities and Limitations in Commercial Television Representations of African American Culture." Quarterly Review of Film and Video, 13:117-130.
_____. 1991. "Television, Black Americans, and the American Dream." In R. Avery and D. Eason, eds., Critical Perspectives in Media and Society. New York: Guilford Press, pp. 294-306.
_____. 1989. "Rate the Records: Symbolic Conflict, Popular Music and Social Problems." Popular Music and Society, 13(3):5-16.
_____. 1988. Producing Jazz: The Experience of an Independent Record Company, Philadelphia: Temple University Press. |
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